Flammentod (Pyromaniac) is a 2023 extreme horror film written by Jean Rises and directed by Domiziano Cristopharo. Known as an author/publisher of extreme horror literature, as well as a horror reviewer/interviewer for multiple outlets, Jean has also written/acted in/produced several independent horror features such as Jonathan Doe’s The Art of Self-Harm (2023), the horror short Satanic Suffering (2024), and TetroVideo’s upcoming extreme horror anthology XXX Darknet: Red Lips. The film is based on the story of the same name, written by Jean.
Cruel visions plague Ricky and keep him dreaming about the fire that consumes him. His pathological obsession and longing for a stranger starts as stalking and ends in a flaming inferno of a Pyromaniac.
Featuring a deliberately slow-paced narrative, Flammentod uses this sedate tempo to gradually release the story to the audience. The purposefully slow divulgence of the plot through means such as environmental storytelling creates an enigmatic tone, imposing a willful benightedness that is gradually revealed throughout the second and third acts. While this could have become perplexing with a more convoluted plot, the coherence of the narrative’s linearity enables the story to be fairly simple to fit the pieces together.
Displaying a continuingly alternating colour palette, Flammentod begins with soft yellow and orange hues, which grow in intensity as the film progresses. The juxtaposition between gentle hues of everyday life and deep, vibrant shades for scenes of torture and debauchery denote the intended disposition–boldening this tone dramatically. Furthermore, the use of a soft focus for outside scenes creates a diaphanous, dream-like haziness that imbues an otherworldly setting–relaying a dysphoric alienation between the protagonist and the rest of the world.
Achieved through a mix of practical work and CGI, Flammentod’s effects can be a mixed bag at times. While the practical effects are admirable and do a fantastic job of portraying the hideous damage that burns can leave on the human body, the use of CGI to superimpose fire effects over certain scenes (obviously necessary for safety reasons) can slightly detract from the scene’s intended intensity at points. However, practical effects far outweigh the amount of CGI utilised; their inclusion is implemented to fulfill effects that would not be feasible to achieve through practical means.
Containing a minuscule roster of only three characters, the cast does an amazing job of intrinsically progressing the narrative. With the film’s main protagonist, played by Jose Luis Lemos Páez, given the majority of the screen time, his cryptic performance is the cornerstone of this advancement. While the production features little dialogue throughout, Jose delivers an expressive performance that successfully conveys the character’s vulnerabilities while creating an imposing presence during torture scenes. Furthermore, the “Victim”, played by Kevin Povlador Torres, and the “Faceless Man”, played by Daniele Arturi, perform excellently in their smaller yet equally important roles. Both roles are portrayed without dialogue and rely on a similarly animated performance as our protagonist
Similar to the film’s dialogue, most ambient sound is largely absence throughout. This allows Flammentod’s score to fully envelop a scene and imbue the intended atmosphere. Furthermore, when paired with Jose’s evocative performance, the combination effectuates an efficient minimalist approach that achieves maximum impact.
A mysteriously elusive, slow-burning narrative, Flammentod’s gradual build of tension, though incremental, is methodical in its structure–equating to an atmospheric exploration of trauma. With great performances from the small cast, fantastic practical effects, and expressive cinematography, the film is an engrossingly cryptic tale of internal and external suffering.
Flammentod (2023) is available to purchase from January 13th from Retro Gold
More Extreme Cinema Reviews
Feed (2005) Film Review – Can You Stomach It?
Feed is a 2005 Australian body horror thriller written by Kieran Galvin, and directed by Brett Leonard. The film is based on an idea by Patrick Thompson, and Alex O’Loughlin,…
An Interview with Jonathan Doe – The Putrid Prince of Extreme Cinema
Known for his recent, boundary-pushing entries in the extreme cinema genre, Jonathan Doe is a writer/director/producer most notable for his Erotic Grotesque Nonsense series of films, including Barf Bunny (2021),…
Cross of the Seven Jewels (1987) – Maybe Everything is Bad, But Half A Werewolf is Better Than None at All
There are a lot of bad pants in this movie. Also, bad haircuts, bad sex and, whenever a chair is needed to hit someone over the head, or a table…
The Unburied Film Review – Sins of the Father
Alejandro Cohen Arazi’s debut film The Unburied, was selected as part of the 2021 FrightFest lineup. Offering up a dive into a world of the occult built up through generations…
Top 15 Pseudo-Snuff Films – Diamonds In The Snuff
The generally agreed definition of a snuff film is a real (not staged) filmed murder. In some cases, it is viewed for the purpose of arousal. However, this is somewhat…
Bloody Sin (2011) Film Review – A Perfervid Love Letter to Exploitation
Bloody Sin is a 2011 English-language Italian extreme horror film, written and directed by Domiziano Cristopharo, with additional writing from Jay Disney and Filippo Santaniello. Being particularly well-known in the…
Hey there, I’m Jim and I’m located in London, UK. I am a Writer and Managing Director here at Grimoire of Horror. A lifelong love of horror and writing has led me down this rabbit hole, allowing me to meet many amazing people and experience some truly original artwork. I specialise in world cinema, manga/graphic novels, and video games but will sometime traverse into the unknown in search of adventure.