
Zombie-driven horror seems to be making a fierce comeback to the movie circuit lately. When one thinks about zombies, the words “apocalypse” and “chaos” instantly come to mind. Most well-executed zombie movies include hidden metaphors about our society and political landscape, as well as the effects of negative human behavior. The living undead that lack humanity, and their minds, are now consumed with but one savage objective. Zombies have always been a metaphor for the deterioration of the human condition, manifested by their deepest fears. It makes sense that in most cases they are shown as the trigger for an apocalyptic event. Enter Zombitopia, a 2021 Malaysian zombie horror, written and directed by Ming Jin Woo with additional writing from
Neesa Jamal.
The main protagonist, Zidik (Shaheizy Sam), is a harsh man who has lost his faith in people due to being mistreated at an orphanage growing up. However, the memories of his childhood sweetheart, Zooey (Elvina Mohamad), still manage to keep him from becoming completely detached from society.
Fifteen years ago, Zidik lost his family due to the outbreak of a virus. It was eventually controlled by a vaccine that was created by Dr. Rahman (Bront Palarae). Yet, when the now-disgraced Doctor returns, a new strain of the virus emerges. While struggling to deal with his continual loss of loved ones, Zidik becomes an object of interest for Dr. Rahman.
Ming Jin Woo’s Zombitopia is packed with exciting action sequences, but the violence is not excessive. The plot is most engaging when you can see the message beyond the zombie outbreak. However, it tends to become a bit messy whenever the memories of Zidik’s childhood drama are dropped awkwardly in between key sequences.
Not all is executed skilfully, and the film visibly suffers from a lack of budget. The special effects contain many major errors that can be easily spotted if one’s attentive. In addition, there were many plot holes with the zombie mutations of two notable characters. The underdevelopment of the villainous role of Dr. Rahman reduces him to a mere caricature that is extremely underwhelming in the final act.
Despite all these faults, however, Zidik and Zooey’s onscreen chemistry is one of the more powerful and positive elements of the film. Reminiscent of 2013’s zombie romance, Warm Bodies, but with limited resources, the execution of the first half of Zombitopia is a moderate effort with great potential. The story just ultimately gets uneven and unbelievable.
The deeper that one delves into the story, the more one begins to realize that all logic needs to be checked at the door. Zombies and apocalyptic-based films are always a bit tricky to pull off without becoming too ridiculous or campy. Nevertheless, the audience doesn’t need to be spoon-fed to see the similarities of certain aspects when compared to the current Covid-19 pandemic, such as the fear and controversy surrounding the source of the virus, plus the lack in confidence in the vaccine. Finally, there are those always waiting in the wings to profit from chaotic situations such as this. If you pay attention, Zombitopia can give you that satisfaction, but don’t expect a solid landing!
More Film Reviews:
Dr. Lamb (1992) Film Review – A Torrent of Torturous Turbulence
Dr. Lamb is a 1992 Hong Kong CAT III horror film, written by Kam-Fai Law and directed by Danny Lee and Billy Hin-Shing Tang. The production is based on the…
Army of the Dead (2021) Film Review – Undead Carnage
To say that director Zack Snyder has had one hell of a year would be an incredible understatement, and I mean that in the best way possible. Anyone unfamiliar with…
The Alchemist Cookbook (2016) Film Review – Minimalism Maximized
One of the crowning glories of the horror film genre is how much can be done with so little. From budget to effects to characters, indie horror films prove time…
Phantom Summer (2022) Film Review – The Opera Macabre
Heading back to the coastal town where he is haunted by the memories of a past friend, Martin ends up meeting Lucas and the two begin to search for clues…
White Noise (2022) Film Review – Arthouse Existential Horror Comedy
Life is a Train Wreck In the final days of 2022, most of us were looking toward 2023 with hearts full of hope, and faith that the moment those…
Ghostbusters: Afterlife – Film Review from a Nostalgic Fan
IN THE BEGINNING In 1984, Ghostbusters was the first film I was allowed to see in the theatre without my mother. My friends and I sat close to the screen,…

Paranormal and True Crime Junkie, Lover of Horror with a true passion for writing in the hopes of becoming a published author one day.