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Human Hibachi 3: The Last Supper (2025) Film Review – The End of an Era

Jim Cox Nov 27, 2025
Human Hibachi 3: The Last Supper (2025) Film Review – The End of an Era

*I feel the need to add to this article the fact that I was engaged as a freelance contributor to the film’s post-production team, specifically…

Doris Wishman’s Indecent Desires (1968), and the Horror of Male Obsession

Michael Williams Nov 20, 2025
Doris Wishman’s Indecent Desires (1968), and the Horror of Male Obsession

Why are horror and exploitation films so popular? Why do fans willingly submit themselves to the gruelling, torturous experiences that these genres provide? The simple…

The Carpenter’s Son (2025) – In Cinemas November 21st

Grimoire of Horror Nov 17, 2025
The Carpenter’s Son (2025) – In Cinemas November 21st

Nicolas Cage, FKA twigs & Noah Jupe deliver us from evil in ‘Jesus horror’ Altitude will release biblical horror The Carpenter’s Son in UK and…

Look Outside (2025) Video Game Review – An Unsettlingly Bleak Masterpiece of Indie Horror

Liz Griffiths Nov 17, 2025
Look Outside (2025) Video Game Review – An Unsettlingly Bleak Masterpiece of Indie Horror

Some horror games want to scare you. Look Outside wants to crawl under your skin, settle in, and remind you of just how fragile you…

Hide (2025) Film Review – Short, Sharp, and Served Rare

Liz Griffiths Nov 15, 2025
Hide (2025) Film Review – Short, Sharp, and Served Rare

Cory Pratt’s Hide (2025) is a perfect mix of graphic imagery and careful restraint. In just a short runtime (less than 20 minutes), it manages…

Analogies (2025) Film Review – Art’s Final Taboo

Jim Cox Nov 14, 2025
Analogies (2025) Film Review – Art’s Final Taboo

Just when you thought Phallacies broke the final taboo in art, filmmakers Domiziano Christopharo and Jon Devlin have returned with another horror anthology film, ready…