Author: Cameron Smith
Horror filmmaking royalty collides in Two Evil Eyes (1990): a star-studded yet relatively niche anthology horror from the depraved minds of Dario Argento and George A. Romero. The dastardly duo first collaborated together on the eternal classic Zombi in 1978, more commonly known as Dawn of the Dead, where Argento re-cut, re-scored (a groovy Goblin
Found-footage horror cinema is rightfully praised for its potential to scare by extending filmic depictions into our own reality. Delineating space and conforming to the four walls of the cinematic frame is defunct; fear is expanded to beyond what we can see. The result is ‘the uncontainable’. Think the enormous scale of the monster in
An unassuming seaside town in southern England is thwacked, whomped, and clobbered by the resurgence of an enigmatic, squeaky-voiced, no-nonsense killer who brandishes a club to brutally execute his victims. Mr. Punch sends his regards. Punch (2023) is a new assault on the senses from prominent horror director Andy Edwards (Ibiza Undead, Midnight Peepshow), in
A bizarre blend of Phil Tippett’s Mad God and Dario Argento’s Suspiria, Robert Morgan’s feature debut Stopmotion (2023) is an indie horror film that weaponizes the maddening process of stop motion animation to aim at its audience’s nerve endings, with fabulously gnarly results. If Phil Tippett’s epic 2021 passion project uses stop-motion animation to look outward