No one is prepared for the sixth installment of the Senritsu Kaiki films. Koji Shiraishi, a consistently ambitious director, has made the found footage genre his playground, and we’re fortunate he has carved his niche in this horror category. Senritsu Kaiki File Kowasugi! File 06: The Most Terrifying Movie in History! deliciously serves up ghosts,

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Taking grief to a deeply familiar level and revealing its relentless presence, Benjamin Barfoot delivers a sophomore feature that cements his status as one of the decade’s most promising horror directors. More than just an atmospheric exploration of mournfulness, Daddy’s Head evolves into a poignant tale of two afflicted individuals who find solace through their

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Picking up after the vile incident of the fourth Senritsu Kaiki File, Kudo assembles his team once again to film paranormal activities and to… discover isekai? Yes, you heard that right. That’s just one of the surprises Senritsu Kaiki File Kowasugi! File 05: True Story of the Ghost of Yotsuya has in store. Koji Shiraishi,

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Home invasion films are undoubtedly a lasting source of sporadic dread for moviegoers, with their realism serving to heighten the sense of vulnerability that these scenarios, although made up, evoke. The intrusion into one’s sanctuary—the very place where one should feel secure—during the domineering darkness of night, represents a deeply entrenched fear. But what happens

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If you think you have seen all the found footage films out there, you are wrong. Sometimes, these films can get quite monotonous due to the repetitive use of cameras. However, some innovative storytellers come up with new perspectives that we have never seen before. Nias (2024), a directorial debut by Baptiste Rambaud, is a

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There is something undeniably eerie about found footage films that delve into the mythologies we once loved and believed in. They offer a glimpse into a parallel universe of “what ifs” – what if Bigfoot actually exists? What if trolls really roamed around Norway? What if the slit-mouthed lady chased civilians in broad daylight? These

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There’s an inherent restlessness in the face of the unknown, perpetually stoking curiosity. Intentionally or otherwise, this very restlessness is what renders Dreadful Chapters a compelling viewing experience. Hailing from the Malayalam film landscape, this indie production brims with potential, laying the groundwork for the burgeoning career of Indian-born director Nirmal Baby Varghese. As his

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The Coffee Table, from the mind of emerging international director Caye Casas, stands out as a genuinely unnerving and intellectually stimulating horror film in recent memory. Serving as a cautionary tale, it sheds light on the perilous consequences of misguided parenthood, urging us to reconsider the gravity of this profound life decision and the horrors

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The Glenarma Tapes (2023) cover

The Glenarma Tapes is a 2023 Northern Irish found footage horror film, written and directed by Tony Devlin with additional writing from Paul Kennedy. Although the film presents itself as a found footage film, it arguably could have benefitted from a different approach. Nevertheless, it’s a commendable debut from an emerging director whose prowess in

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Here for Blood 2022

Here for Blood (2022) truly lives up to its name, catering to those with an insatiable appetite for wicked and outrageous carnage. Yet, beneath this tongue-in-cheek horror, resides a familiar trope that functions so effectively, that it will compel you to reconsider your love-and-hate affinity for campy horror productions. Director Daniel Turres undoubtedly possesses the

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