Author: Rob Gowers
Noboru Yoshimi was a prolific horror manga author who enjoyed great success with over 300 published stories to his name, mainly aimed at a younger audience. There is however one tale of perverted gender-bending horror that risks being relegated into the realms of lost media. To this day the only place to read Indecent Wriggling
Following WWII, there would be a shortage of decent alcohol and before long bootleg, shochu liquor, referred to as kasutori (effectively Japanese moonshine) began to circulate. Being made from whatever ingredients people could scrape together, sometimes even toxic chemicals, kasutori alcohol soon developed an extremely poor reputation in society, with widespread cases of blindness and
To call “Dirty Harry” ground-breaking would be an understatement. In 1972, it completely revolutionised urban crime dramas with its gritty – almost giallo – cinematography, focus on shocking crime, and Clint Eastwood’s now legendary protagonist. The rulebooks were torn up and decency disregarded as the film focused on the villain Scorpio committing seemingly sexually driven
After Purima Kikaku’s success with their three “Document Porno: Sukeban” films they would move onto a new format for their next attempt at the sukeban genre – the “semi-document”. Whereas the document porno films would portray the action as a mockumentary accompanied by a narrator to sell the illusion of reality; “Semi-Document: Sukeban Bodyguard” would
After helping to kickstart sukeban cinema in 1970, Nikkatsu would largely retire from the genre in 1971 after the lacklustre performance of “Bad Girl Mako”, leaving Toei unchallenged in their pinky violence dominance. However, in 1973, a fresh entry would come courtesy of the small studio Purima Kikaku. Purima Kikaku would exclusively make low-budget porn
The genre, now referred to as “Pinky Violence”, would absolutely dominate cinema in the early 70’s, which was largely helmed by Toei in their focused attempt to pump out many popular films to quickly and cheaply as possible to meet their quota of two new films every fortnight in order to obtain exclusivity contracts with