Film
Our latest articles on horror films – reviews, analysis, insights and even news!
In our modern times, with seemingly endless movie selections available at the touch of a button and in high definition quality, it seems crazy that anyone would anyone choose to collect clunky obsolete media such as VHS. However, across the globe a plethora of people are doing just that, but why? This is the question
The Creeping (2022) is the cinematic homage to 1980s gothic horror that we’ve all been waiting for. Watching it will remind you of the first scary movie you watched as a child, clutching pillows to your face in the basement den while your parents thought you were watching Scooby Doo. It maintains the era’s subtle
Super Z is a 2021 French horror comedy, written and directed by Julien de Volte and Arnaud Tabarly in their first feature-length directorial debut. The film is loosely based on the horror short The Foodies (2014), written and directed by both Julien and Arnaud. “An unknown corporation is turning humans into zombies. To their complete
A Wounded Fawn opens with a quote from Surrealist painter and author Leonora Carrington: “I suddenly became aware that I was both mortal and touchable and that I could be destroyed“. Centering the film around a serial-killer protagonist who slowly comes to the same realization, director Travis Stevens (Girl on the Third Floor, Jakob’s Wife)
Having come from lower class and immigrant families, four friends make one last heist led by their leader, Chaz (Malachi Pullar-Latchman) to walk away with a small fortune to start anew. Tasked with stealing art, they find the event is a set-up to have them be abducted and made sport at the hands of the
Deep Fear is a 2022 French horror, directed by Grégory Beghin, who has made a name for himself as a TV actor, Grégory made his debut behind the camera with the 2020 comedy Losers Revolution, co-directed by Thomas Ancora. “Paris – The 1990s. Three students decide to celebrate their graduation with a visit to the local catacombs deep in the
The Harbinger, Andy Mitton’s follow-up to his delightfully creepy Witch in the Window, is, simply put, the most terrifying COVID-era horror film. Dealing with many of Mitton’s signature themes – the loss of a loved one and what remains after death – the movie is one uninterrupted, unrelenting nightmare that amplifies the viewer’s pandemic fears
When a journalist has the breaking story of a lifetime, he discovers all is not well. Not only is there the looming threat of powerful people who may squash him like a bug, but he has also become stuck and unable to leave his bed under supernatural force. No amount of struggle seems to matter
Pussycake (Emesis) is a 2021 Argentinian sci-fi horror, written and directed by Pablo Parés, with additional writing from Maxi Ferzzola and Hernán Moyano. Pablo is no stranger in the directorial chair, having over thirty-six productions under his belt since his debut in 1991 with a strong focus on low-budget zombie movies. “The struggling all-girl rock band Pussycake kicks off a new tour
There’s an alluring quality that surrounds the link between horror and the queer community, from its roots in the 18th and 19th century with the emergence of queer coded Gothic fiction such as The Picture of Dorian Gray, to modern day portrayals of queer characters in text and film; horror has always been inextricably linked with