Tag: American Horror
Director Nicholas Wagner’s Shelter for the Bloodstained Soul is a slightly bizarre and remarkably verbose horror that attempts to subvert the Judeo-Christian narrative of cult worship. This particular cult has a quiet start, seemingly beginning when junkie and country singer Harvey meets the creepiest hitchhiker on earth, Addison Montclair. She inexplicably invites this stranger to
The film It (2017) surprised me. In fact, I saw it five times due to how much I enjoyed it! Unlike a majority of modern horror films, it focused more on story and character development rather than cheap jump scares and overused horror mechanics. This is why I am breaking this review into two: the
The original electrifying Evil Dead burst onto the horror scene in 1981 and wrapped its spindly tendrils around the throat of passionate horror fans worldwide, keeping us on the edge of our seats and our hearts racing. Since then, the franchise hasn’t given up steam and has continued to prove its deserved stake in the
One of the crowning glories of the horror film genre is how much can be done with so little. From budget to effects to characters, indie horror films prove time and time again that ingenuity and vision make for great fright, not a crowded screen and a high budget (although it can be magic when
TikTok dances emanate eerily around you, a cacophony of booming cackles emit from influencers as they forcefully push their latest merch (that was most likely made in some far-off, exploitative sweatshop factory), internet challenges beckon you to push your physical and mental health to the brink for ‘views’…welcome to 2023. In recent years, the found
Francesco Picone’s Dead Bride (2022) is not a live-action version of Corpse Bride, Tim Burton’s animated, family-friendly necrophilic tale. Although it borrows many elements from beloved horror films, such as a murdered bride seeking vengeance, this movie copies but fails to reach the same qualities as the films it emulates. As with many supernatural stories,
Candy Land (2022) is a religious-horror-themed slasher film that upends established genre conventions in unexpected and gripping ways. Writer-director John Swab (Let Me Make You a Martyr) tells the gritty story of a group of prostitutes that live and work in a rural and isolated truck stop. Tension mounts as a killer stalk them and
Jane (2022), directed and co-written by Sabrina Jaglom, is a supernatural, psychological thriller. Rishi Rajani also joins the writing credits. While Jaglom has a short she directed and production credits for Home Again, this is her first full-length directorial debut. Seemingly perfect high school senior, Olivia (Madelaine Petsch), struggles with grief from the recent loss
If we were asked to close our eyes and picture a desert highway, most of us would envision the same thing: Route 66. The infamous east-west American highway has been something of an enigma for almost 100 years. It served as an escape route for those migrating west during the 1930s shortly after its construction,
Published while he was still in college, Bret Easton Ellis’ debut novel Less Than Zero (1985) established themes of isolation and excess still present in his work today. The narrator, a disaffected young adult named Clay, sets himself apart from his friends and longs to leave Los Angeles. He appears again in Ellis’ second book,