Tag: Crime Thriller
Feed is a 2005 Australian body horror thriller written by Kieran Galvin, and directed by Brett Leonard. The film is based on an idea by Patrick Thompson, and Alex O’Loughlin, the film’s protagonist and antagonist respectively. A veteran of cyberporn investigations, Australian cop Philip Jackson, is no stranger to the dangerous side of sexual fetishes.
Devils is a 2023 South Korean crime thriller, written and directed by Kim Jae-Hoon in his first feature-length work. The film stars Jang Dong-yoon (Project Wolf Hunting), Jae-ho Jang (The Spies Who Loved Me), and Choi Gwi-hwa (Train to Busan). After his brother-in-law is murdered at the hands of a vicious ring of serial killers,
When Toei’s pinky violence line first appeared in 1970 it was an unstoppable force, and throughout the early 70s, it showed little signs of slowing down. 1973 in particular was a bumper year for pinky violence, with an excessive offering consisting of – two Girl Boss films, three Terrifying Girls’ High School films, two Female
In the not-so-distant future, death is a choice for some. Robert Holz’s first feature-length film, Restore Point (2023), is a masterpiece, brilliantly capturing the dystopian future that we all fear we are headed toward in a story that feels realistic. While the film is focused on a technological breakthrough that allows humans to reboot themselves
In a career that spanned four decades, prolific novelist Shinji Fujiwara explored a wide range of genres in his work, though is most famed for his 1950s suspense stories. The widespread popularity of his work quickly lent itself to the medium of film, and he would eventually be dubbed “film’s favourite novelist” due to the
Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei were struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969
When looking at the origins of sukeban media, the first representation of the genre came in 1967 with Taro Bonten’s Modern Delinquent Girl Stories manga; with the first proper sukeban film, Girl Boss: Broken Justice, not coming later until 1969. That isn’t to say, however, that vestiges of these themes weren’t explored prior to this.
Despite being one of Japan’s biggest film studios throughout the late 40s and 50s during the golden age of Japanese cinema, Daiei were struggling by the mid-60s and had to slash budgets for their productions. This eventually led to a merger with Nikkatsu in 1970, followed by bankruptcy in 1971. Somewhat overlooked is Daiei’s 1968-1969
Exposure therapy is a psychological treatment used in helping patients with confronting and overcoming their fears. With KIMI, Steven Soderbergh’s mix of paranoid, domestic suspense and techno-thriller, the Academy Award-winning filmmaker has seemingly managed to do the impossible: identify and unite every source of modern fear while also providing a unique form of cinematic exposure
There is probably no better place to start discussing Yakuza Princess than with its setting of Sao Paulo, Brazil. As the film quickly points out in its introduction, Sao Paulo has the largest concentration of individuals of Japanese descent outside of Japan. Centered around the Japanese community in the Liberdade neighborhood, there are estimated to