Gaia is a strikingly gorgeous and demented release from new mangaka Asagi Yaenaga, who is transitioning from their expressive and violent art pieces into the realm of narrative storytelling. The debut also exists as a rarity for a Japanese artist, debuting outside of the manga system and landing their work with a European Publisher, Hollow
Tag: Erotic Grotesque
“Daisuke Ichiba is not a manga artist, he is a drawer of beautiful women!” There are few Japanese underground creators that can hold sway over a select few and never pierce into the larger collective. Certainly, the likes of Suehiro Marou, Shintaro Kago, and (digging even deeper) Kazuichi Hanawa have become notable names with manga
Taking place after the bloody conflict in The Princess of the Never-Ending Castle, “Twelve Sisters” (shortened for sake of sanity) takes another trip to the mind-bending world of branching realities at war with one another. The abstract concept of a feudal castle growing into the sky and branching off into other realities may seem like
The vampire sub-genre in the West is one that is marked dull media with the odd standout title slipping through – the creatures seldom seeing reinvention or popularity of their other undead counterparts (zombies). However, I have found a fondness for the bloodsuckers throughout the pages of manga (currently collecting Cirque Du Freak omnibus editions
Always on the prowl for new horror manga to check out, you sometimes have to browse off the beaten path. Randomly looking into titles lead me to Man Eater by Yosuke Takahasi, a mangaka I had never heard of previously. Having had moderate success in the past on going with gut instinct on a title,
The horrors of war don’t just end once a solider returns, in fact one of the saddest aspects of global conflict is societies lack of post-care for soldiers. Unfortunately, heroism is only perceived as such when if fits a narrative and authorities are quick to push human suffering under the rug as soon as it
Japanese ‘erotic grotesque nonsense’, often abbreviated to ‘ero guro’ or ‘ero guro nansensu’, is a genre of art that extends to various mediums. Consequently, the genre exists as a broad statement to capture the art that puts its focus on eroticism, sexual corruption, and decadence. The art style is not unique to Japan, but is
Horror is a tool. A tool used by the architect in order to design a macabre landscape, layered with mountains of fear and embedded with the riverbanks of mystery. Suehiro Maruo did not appropriate the tool, nor did he simply embellish it, Maruo crafted and invigorated the art with his non-conventional understanding of the grotesque