Tag: Extreme Horror
Dr. Lamb is a 1992 Hong Kong CAT III horror film, written by Kam-Fai Law and directed by Danny Lee and Billy Hin-Shing Tang. The production is based on the unscrupulous crimes of Hong Kong serial killer Lam Kor-wan, who was arrested in 1982 after murdering four women. A mentally disturbed taxi driver, Lin Gwao-Yu
“In a large isolated cellar, a mysterious aristocratic woman begins torturing a man while videotaping it. The torture escalates as we find out the secrets the man holds inside of him. Pleasure and pain are all on the menu as we find out the full meaning of The Trilogy of Death.” (Official) An exercise in
Taking place after the bloody conflict in The Princess of the Never-Ending Castle, “Twelve Sisters” (shortened for sake of sanity) takes another trip to the mind-bending world of branching realities at war with one another. The abstract concept of a feudal castle growing into the sky and branching off into other realities may seem like
A trip you will never forget, cult director Aldo Lado’s Night Train Murders (Last Stop on the Night Train) is a grimy exploitation film billed early on as “The New House on the Left”. A bold statement, but one that is not without merit as the production follows a similar formula while interjecting its own
Extreme horror is an interesting subset within the wider genre of scary movies as a whole. For some, it is a wholly unapproachable category to be whispered of but avoided. To other gorehounds, rattling off the specific films you’ve seen can function something like a badge of courage for what you’ve endured and come out
We are happy to present our interview with Rob Jabbaz, director of The Sadness as an incredible debut. The Sadness has achieved all kinds of accolades throughout festival circuits and is easily the most trendy watch of genre festivals in 2021. The film has been praised as a slick production of extreme cinema and notable for
The Sadness has been a film making some early commotion due to an extreme and graphic nature – a new angle on the zombie genre in the age of our pandemic. As such, Rob Jabbaz debut film poses positives superseding the concerning elements, with the state of extreme cinema split between lazy gross-out sequences and
American comics have been in a slump, the mainstream dwelling in mundane content heavily focused on appeasing a small percentage of the fanbase. The result, mainstream/major companies struggling with sales and having to lay off staff in the process. Consequently, many fans have flocked to manga that offers both variety and freedom of expression. It
We have here quick review of Norman Chan’s nasty little CAT III number, DIARY OF A SERIAL KILLER [1995], starring Power Chan (THE ETERNAL EVIL OF ASIA [1995]) and Strawberry Yeung (KICKBOXER [1989]). As I’ve mentioned in previous reviews, CAT III cinema isn’t really the kind of thing you’d gather the family together to watch,