Tag: Film Festival
Selected to cap off the closing night of Fright Fest 2021, The Advent Calendar has come to the attention of horror fans as one of the titles already announced as a future Shudder exclusive. Furthermore, French cinema holds a fond spot in the hearts of many fans thanks to the plethora of cult cinema that
“You become what you believe” seems to be an enthusiastic phrase until you watch Josh Stifter’s black comedy horror Greywood’s Plot. Born out of a low-budget production and undying devotion of four friends, Greywood’s Plot is an admirable endeavor that proves imagination is man’s only limit. Screening at U.K’s biggest horror film festival, Frightfest 2021,
Showing as part of the 2021 FrightFest lineup, King Knight marks the fifth feature length film of Richard Bates Jr. Reuniting with fan favorite actor Matthew Gray Gubler, who appeared in Excision and Trash Fire with a lead role in Suburban Gothic, the production is arguably the most hyped project of Bates to date. However, choosing
From Cannes Palme D’or Winner Frida Kempf, Knocking marks the Swedish Filmmaker’s first foray into horror. Posing a dark tale of madness, the film captures the unease found in the fear of undiscernible noises seeping into our conscience – bumps in the night or strained speech that permeates the walls of busy apartments everywhere. A
By all rights Crabs! seems like it ought to be the sort of film that is a complete joke. Nominally it is about a horde of murderous mutated horseshoe crabs that invade and terrorize a coastal town. It feels like it ought to be the sort of low effort, low budget SyFy picture original awash
The Maid takes place in a sumptuous mansion, where Joy is the most recent maid in a high-turnover position. Upon her first introduction, she learns the rules of the house, most importantly: don’t pry into other’s personal business and don’t enter the mistress’s bedroom. The master (Nirach) and madam (Uma) have a daughter, Nid, with
“Tick … Tock … Tick … Tock…” If you’re old enough to remember, video stores were most often our method of finding films that we might have otherwise never heard of. The myriad of alluring box art meticulously displayed on the shelves of the horror section will always fill me with nostalgic delight. Those were
Making its world debut at Fright Fest, David Buchanan’s Laguna Ave is being billed as “Shinya Tsukamoto’s Tetsuo: The Iron Man through the lens of John Waters”. Lofty praise for a debut film, but one that is not without merit. Wearing its heart on its filthy sleeve, Laguna Ave is certainly a wild trip! What Is
Prisoners of the Ghostland wastes no time engaging viewers with its opening scene depicting the curious contrast of the stark white interior of a bank with its many patrons donned in bright vibrant solid colors. Seconds later, Nicolas Cage, as our lead simply dubbed Hero, bursts through the front door clad in black and wielding
Summer in Montreal is always an exciting time. Downtown, Ste. Catherine Street is cordoned off from traffic beneath de Bleury for the Jazz Festival, where past years featured free outdoor acts such as Stevie Wonder, Allen Toussaint and James Brown. Not far, at the Marriot hotel bar, you can pass by Marc Maron abstaining from