Tag: Found Footage
From the dawn of humanity’s time on this Earth, fear has been the most important feeling for the survival of man. It is what keeps us alive, the reason we exist and stand above many other species as the dominant force on this planet. But what is fear? Is it the venomous insect crawling
A mockumentary framing offers a nice spin to the found footage genre. While most found footage films are shot and arranged in an amateur fashion to preserve their realism and home video sense, mockumentary is its counterpart. Here, the believability of the horror comes from one’s flair in crafting conceivable documentation of something purely fictional.
From director Banjong Pisanthanakun and writer Na Hong-jin comes a Thai-Korean, Shudder-exclusive feature exploring the thin line between humans and spirits and what happens to those who cross that line without appropriate psychic protection. Presented as part travel documentary and part found footage, The Medium takes place in Isan, northeastern Thailand. Isan is a region
When the found footage genre came to be in the late 90s, the cinematic technique was hailed as an inventive, tenable new perspective on horror that was great for budgetary restraints. Although, since then, the genre has become clichéd and stale, titles often disregard the realism aspect that made the films popular to begin with.
The found-footage subgenre of horror is probably the most threadbare of its kind. The cinematic possibilities and the amount of legroom where a creative might pull a stunt out of it are unquestionably finite. That is because the “found footage” conceit itself is the “stunt” that is supposed to manifest only once in a while
When looking at the found footage genre, there are many titles that people say were influential in bringing them into the fandom. Often, people point to films like The Blair Witch Project or Paranormal Activity, both of which became a sort of cultural phenomenon. Personally, where my love of the genre started was in the
“Followed introduces us to aspiring social media influencer “DropTheMike.” When he is offered the opportunity to get a nice stack of cash for sponsorship of his channel, he’s joined by his video crew on a visit to one of the most haunted hotels in America. While there, he expects to have a horrific night of
When the first V/H/S film was initially released in 2012, its impact on the horror community was immediately felt, creating shocking scenarios presented in intimate detail through the found footage format. This led to two follow-up films, both varied in success, that further consolidated the prowess. After a short break after the ill-received V/H/S Viral,
Discussions on snuff films will always include the controversial Japanese horror series Guinea Pig, which garnered a cult trailing that even prompted an FBI investigation after its release. However, other horror films occupying the same premise are either overlooked or unseen due to lack of audience regard or distribution. One of them is Kim Jin-won’s
The found footage genre has long been a beloved niche among horror fans, staff here included. The format, while restrictive in budget, offers a creative outlet normally representative of a tight-knit crew with a clear vision. Granted, sometimes this can also cause the filmmakers to trip over their own inadequacies given full creative control but