Tag: Japanese Horror
After contributing to periodical manga magazines such as Manga OK in the mid-60s, the ever-ambitious Taro Bonten would decide to create his own bespoke gekiga magazine in 1969 named Black Ace. However, this wouldn’t be just any normal magazine and would seek to recreate the mystery genre started by kasutori magazines in the late 1940s.
The Sound of Summer (2022) is a disturbing and suffocating Japanese body horror, written and directed by the UK-born creator Guy (Guy Pearce). Although this film is his debut feature-length film, he already has made a name for himself by writing and directing a number of shorts such as The Rope Maiden (2013), Difficulty Breathing
Zero: Tsukihami no Kamen [零〜月蝕の仮面〜], or Zero: Mask of the Lunar Eclipse, was the fourth main entry in the Zero series and a switch from Sony’s platform to Nintendo’s. For the sake of clarity, it is worth mentioning that the series goes by different names depending on where it is released. In its native Japan it
The curse of endless sequels has plagued horror films for years with multifarious results. The Ringu series kicked off back in the late 90s and is no exception to this curse. With the previous effort in the series, Sadako (2019), seemingly failing to meet fan expectations—high expectations that were set by the involvement of Hideo
Electric Dragon 80.000V is a 2001 experimental sci-fi fantasy, written and directed by the legendary Gakuryû Ishii (previously known as Sogo Ishii). Most notable for films such as Crazy Thunder Road (1980), and, most recently, Punk Samurai Slash Down (2018); Ishii started his career creating autonomously produced films or Jishu Eiga such as Charge! Hakata
Zombies, vampires, mechanical men, mad scientists, monsters, killer apes, living statues, ghosts, demons – all the iconic figures of bizarre cinema can be found in Japan’s early film output, filtered through that country’s unique lens of culture and myth. Carnal Curses, Disfigured Dreams from Author: Kagami Jigoku Kobayashi lists over 500 films in a detailed,
If someone from ten years ago told me that I would one day be able to find Junji Ito merchandise at even some of the biggest chain stores, I might not have believed them. Even now, I’m astounded each time I enter my car and see the Tomie air freshener that my niece got me.
After File 01 went off with a bang, Koji Shiraishi’s Senritsu Kaiki File Kowasugi! File 02: Shivering Ghost (2012) tries something different and turns out unexpectedly good. The first episode of the mockumentary series didn’t disappoint in serving Koji’s found footage brands and Japanese myth goodness, showing how his knack for storytelling and genre
Due to the oversaturation of the genre, you are bound to come across many zombie films you know nothing about beyond containing some form of undead. Sadly, these entries in the genre are often marked by a mundanity or a quick turn of the buck (much like ‘shark’ films) where creativity and ingenuity seem absent.
Guzoo: The Thing Forsaken by God – Part 1 is a 1986 Japanese monster horror film written and directed by Kazuo Komizu with additional writing from Hitoshi Matsuyama and Junzô Takagi. Kazuo is most notable for directing the gore films Entrails of a Virgin (1986), Entrails of a Beautiful Woman (1986), and Rusted Body: Guts