Ken Niimura is a Spanish-Japanese artist who employs a simplified, endearing style to share three stories in this volume of the taboo. Taking inspiration from the Japanese tales he heard as a child, such as Urashima Taro and The Crane Wife, he uses each to dig into the questions he had behind the story. What

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Crueler than Dead wastes no time starting, dropping us into the story with Maki and a young boy in a small room with no clue what is happening outside. We soon find out that the event that caused the zombies happened one year prior, but an antidote does exist. The existence of an antidote, along

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Final Girl Cover Photo

I believe we are all aware of the stereotypes of certain genres in horror, specifically slasher movies. The near formulaic structure of their story is a carbon copy of the next, just with a different villain and hoping to become the next synonymous series of films. It would be fruitless to hope for a film

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Shiga Hime Manga Review

 The vampire sub-genre in the West is one that is marked dull media with the odd standout title slipping through – the creatures seldom seeing reinvention or popularity of their other undead counterparts (zombies). However, I have found a fondness for the bloodsuckers throughout the pages of manga (currently collecting Cirque Du Freak omnibus editions

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Trese Graphic Novel Review

June 10th, 2021 marked the release of Trese on Netflix, an animated series based on a Filipino Komik of the same name. The anime has been having impressive traction on level with Japanese anime, but what about the Komik series on which it is based? I’ve been given the most honorable task of reading and

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Lovesickness review Junji Ito

Junji Ito’s at it again with the suicide-filled creepfest that is the Lovesickness collection, and like all of his work, it is worthy of a manga review. Taking its name from the story told in the first half of the book (printed elsewhere as The Boy At The Crossroads and The Lovesick Dead), the first

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