Tag: Roman Porno
Pinku softcore porn films were big business for Japanese studios throughout the 1970s; so lucrative were these films, that when Nikkatsu was on the verge of bankruptcy in 1971, they were able to save themselves by focusing almost their entire output on the soon-to-be highly successful Roman Porno line. It wasn’t just big studios such
c Despite being Japan’s oldest film studio, Nikkatsu by the late 1960s was struggling: with TV quickly becoming the go-to source of entertainment, ticket sales for films were at an all-time low. In order to compete with TV, Nikkatsu needed something that couldn’t be broadcast, and their attention, like many other studios at the time,
To call “Dirty Harry” ground-breaking would be an understatement. In 1972, it completely revolutionised urban crime dramas with its gritty – almost giallo – cinematography, focus on shocking crime, and Clint Eastwood’s now legendary protagonist. The rulebooks were torn up and decency disregarded as the film focused on the villain Scorpio committing seemingly sexually driven
After Purima Kikaku’s success with their three “Document Porno: Sukeban” films they would move onto a new format for their next attempt at the sukeban genre – the “semi-document”. Whereas the document porno films would portray the action as a mockumentary accompanied by a narrator to sell the illusion of reality; “Semi-Document: Sukeban Bodyguard” would
After helping to kickstart sukeban cinema in 1970, Nikkatsu would largely retire from the genre in 1971 after the lacklustre performance of “Bad Girl Mako”, leaving Toei unchallenged in their pinky violence dominance. However, in 1973, a fresh entry would come courtesy of the small studio Purima Kikaku. Purima Kikaku would exclusively make low-budget porn
Discs save the day during this pandemic thing, but once it’s over, it’s back to the theatres, right? Cinemas are an integral part of our cultural identity. Nothing can beat the ritual of going to watch a film in a theatre, especially when you’re seeing something people are hesitantly or even reluctantly drawn to, like