Mother Nocturna title card

Daniele Campea’s 2024 Mother Nocturna (Madre Notturna) is a technically and atmospherically excellent film that is ultimately undone by its own commitment to ambiance and style over substance. In this psychological horror inspired by The Bacchae, a wolf biologist has just been released from psychiatric care to live with her doctor husband Riccardo and now-grown

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The Legacy of Paul Naschy

As a fan of European horror, I own nearly 30 films starring Spanish horror icon Paul Naschy. They cover his career from his early, lavish monster movies of the 1960s and 1970s to the cheap, direct-to-video exploitation films of the 2000s. Because his movies often reflected the changes he went through in life, it is

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Dog Soldiers Film Review

Plenty of film enthusiasm is oriented toward the Universal Monsters; from Dracula to the Invisible Man, these otherworldly creatures bear diverse frights that reflect man’s primal fears or the horrors of being humans. This innate profundity from the monster films allowed us to connect with them. And with our yearning for them, the devils fueled

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Legions 2022 movie

Fabián Forte’s Legions, an Argentine horror-comedy that premiered at the 2022 edition of the Fantaspoa Film Festival, is a delightful concoction bound to please fans of Sam Raimi, Alex de la Iglesia, Rodrigo Aragao and even Will Ferrell. A clever mix of horror and comedy is a really tricky balance to achieve, but Legions mostly succeeds

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Announcers with Doomsayer

I’ve always enjoyed debating an entertaining hypothetical scenario, and the crazier the better; from insane vs. match-ups of different competing franchises, to the animal kingdom, or even warring countries from different time periods. It’s especially enjoyable when those debating can defend a side by reeling off near-encyclopaedic knowledge to back up their reasoning. Yet, what

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There are a lot of bad pants in this movie. Also, bad haircuts, bad sex and, whenever a chair is needed to hit someone over the head, or a table required to topple onto, all manner of bad prop furniture eager to disintegrate upon impact.   At times there is no end to the bad.

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Waxwork (1988), Anthony Hickox’s directorial debut, is a half-baked comedy horror film with a tedious build-up, unmemorable characters, confusing lore, and a long-overdue payoff. Although it already fell at the first hurdle and keeps falling flat, one can find amusement in some elements overshadowed by its poor directorial choices. The setup of Waxwork (1988) is

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The horror anthology has become a beloved sub-genre among horror fans, lading to higher scrutiny when faced with nostalgia that comes from such classic titles as Creepshow 1 & 2 and more modern hits like Trick r Treat. As a result, it can be difficult for any film to make its mark within the format. So

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