
She Kills is a 2016 American action horror film, written and directed by Ron Bonk. Boasting a huge filmography as an executive producer, Ron is known as the proprietor of SRS Cinema, a film production company based in New York, notable for funding and producing hundreds of low-budget horror films such as Ed Gein: The Musical (2015), Shark of the Corn (2021) and their upcoming project Venus Die-Trap (currently being crowdfunded).
Sadie’s life is destroyed when a vicious gang called ‘The Touchers’ targets her for their sadistic fantasies after witnessing her sexy but innocent naked frolicking in a nearby field. On her wedding night, they attack her and her husband Edward, brutalizing both of them. But during the attack the virgin bride discovers a dangerous secret about her body – she is cursed with the legendary ‘Fire Crotch’, a condition where Satan has laid claim to her vagina. After visiting her fortune-teller friend, Casparella, a space exorcism is attempted on her meat flaps, but it only ends up unlocking secret hidden powers inside her. Her hatchet wound becomes lethal, her most deadly weapon in her thirst for revenge against The Touchers and her fight against lustful men everywhere!
A loving homage to 70s exploitation and, more specifically, the rape/revenge subgenre, She Kills certainly emulates their stylised visuals and gritty tone wholeheartedly. Taking influence from/referencing some of the most influential titles in the genre, the film is a love letter to films such as I Spit on Your Grave (1979), Thriller: A Cruel Picture, as well as many films inside and outside the rape/revenge genre.
However, one way the film differs from its predecessors is the overtly comedic overtones implemented throughout. Whilst the implementation of (purposefully) inferior quality stock footage, “unintentional” appearances from crew members captured on the sidelines, and zany, over-the-top performances play into the film’s exploitation foundations, the non-stop, low-brow humour can be more of a hindrance overall–lowering the intended impact of scenes. Fortunately, this takes somewhat of a back seat around the film’s mid-point, allowing for the over-the-top violence to perform the comedic elements.
Displaying a conscientious understanding of the cinematic style of the period, She Kills’ cinematography is a sleek representation of the contemporary visuals of this beloved genre. With several examples of inventive framing, crash zooms, and many other hallmarks of cinema at the time, Ron intuitively visualises a deep knowledge of the exploitation genre and what makes it so enchanting to fans so many years later. However, one negative is being recorded on digital rather than actual film, with visual effects to replicate the “grindhouse” aesthetic. While very noticeable in the film’s first act, the effects themselves aren’t too egregious and are soon forgotten about for the most part
Another key aspect that fully embodies the film’s basis is the amazing score. From the haunting piano piece of the intro, the rising, synth-laden drones of more tense scenes, and the juxtaposing, light-hearted folk music over a slow-motion massacre, the soundtrack of She Kills hits every note perfectly and fully embraces the film’s gritty tone.
Paying tribute to cult classics of times passed, She Kills is an undeniable billet-doux to the works of Bo Arne Vibenius, Meir Zarchi, and Sam Peckinpah to name but a few. With its incredibly stylish visual design, in-depth knowledge of its source material, and fantastic, over-the-top performances, She Kills is sure to hit the spot for those who enjoy the niche of 70s exploitation and deliver a rollercoaster of revenge.
She Kills (2016) is available to purchase from Goredrome Pictures’ website here and TetroVideo’s website here.
More Extreme Cinema
Christmas Cruelty! (2013) Film Review – It’s Beginning to Look A Lot Like Christmas
Christmas Cruelty! (O’Hellige Jul!) is a 2013 Norwegian extreme horror set around the Christmas period, directed by Per-Ingvar Tomren and Magne Steinsvoll. The film follows both a serial killer as…
TetroVideo unveils posters, images, and trailer for XXX Darknet: Red Lips
TetroVideo unveils posters, images, and trailer for “XXX Darknet: Red Lips”— an extreme anthology film Gorehounds and TetroVideo released the new posters, images, and trailer for the upcoming XXX Darknet: Red…
Nightmare Symphony (2020) Film Review – Visions of Giallo
Italian Giallo cinema holds a special place among horror fans and cinephiles alike, myself included. Consequently, anytime a production tries to harken back to the era of black glove wielding…
Evilenko (2004) Film Review – A Crime Horror Flick Ripped From The Headlines
Evilenko is a 2004 English-language Italian true crime horror/drama written and directed by David Grieco in his first feature-length film. Malcolm McDowell plays the Soviet Union’s most notorious serial killer…
Human Hibachi (2020) Film Review – Found Footage Cannibalism
Human Hibachi is a 2020 American found-footage horror film written and directed by Mario Cerrito. Beginning his directorial career with the feature horror thriller Deadly Gamble (2015), Mario is known for writing/directing…
Schoolgirl Apocalypse (2011) Film Review – School’s Out Forever
Japanese cinema frequently uses Westerners as extras, so much so that is common for people staying in Japan for an extended period to up with an agency and fill background…

Hey there, I’m Jim and I’m located in London, UK. I am a Writer and Managing Director here at Grimoire of Horror. A lifelong love of horror and writing has led me down this rabbit hole, allowing me to meet many amazing people and experience some truly original artwork. I specialise in world cinema, manga/graphic novels, and video games but will sometime traverse into the unknown in search of adventure.